cam a22 4 4500 601244206 CHVBK 20201005115200.0 201001s2020 xxu b||| 001 0 eng| 2019047794 978-0-19-093847-5 hardback 0-19-093847-1 978-0-19-093849-9 epub 978-0-19-093850-5 (IDSBB)007159713 (NEBIS)011571920 (OCoLC)1125281542 DLC ger DLC OCLCO BDX YDX OCLCF SzZuIDS BS/BE A164 rda ML410.C24 I38 2020 784.2/62186 23 780 15 Iddon Martin 1975- (DE-588)1030210764 Verfasser aut John Cage's concert for piano and orchestra Martin Iddon and Philip Thomas New York Oxford University Press [2020] xvi, 457 Seiten Illustrationen, Notenbeispiele Studies in musical genesis, structure, and interpretation Includes bibliographical references and index "The book is a comprehensive examination of John Cage's seminal Concert for Piano and Orchestra. It places the piece into its many contexts, examining its relationship with Cage's compositional practice of indeterminacy more generally, the importance of Cage's teacher, Arnold Schoenberg, on the development of his structural thought, and the impact of Cage's (mis)understanding of jazz. It discusses, on the basis of Cage's sketches and manuscripts, the compositional process at play in the piece. It details the circumstances of the piece's early performances-often described as catastrophes-its recording and promotion, and the part it played in Cage's (successful) hunt for a publisher. It examines in detail the various ways in which Cage's pianist of choice, David Tudor, approached the piece, differing according to whether it was to be performed with an orchestra, alongside Cage delivering the lecture, 'Indeterminacy', or as a piano solo to accompany Merce Cunningham's choreography Antic Meet. It demonstrates the ways in which, despite indeterminacy, the instrumental parts of the piece are amenable to analytical interpretation, especially through a method which exposes the way in which those parts form a sort of network of statistical commonality and difference, analysing, too, the pianist's part, the Solo for Piano, on a similar basis, discussing throughout the practical consequences of Cage's notations for a performer. It shows the way in which the piece played a central role, first, in the construction of who Cage was and what sort of composer he was within the new musical world but, second, how it came to be an important example for professional philosophers in discussing what the limits of the musical work are"-- Cage, John 1912-1992 Konzerte Klavier Orchester 1958 (DE-588)300281609 gnd Cage, John Concert Concert Cage, John fast u LS 8 CAGE idsbb FY Thomas Philip 1972- (DE-588)1037876261 Verfasser aut BK020000 XK020000 XK020000 Stoppsignal FRED nebis DS zbzmon202009f tres idszbz Z2 IDSBB A100 A100 100FM UBH IDSBB A164 A164 MAG PSS A 10669 NELA1642008 / 20200821 Dreier IDSBB B400 B400 400H5 BeM RGA 10749 NELB4002009 IDSBB 100 1- Iddon Martin 1975- (DE-588)1030210764 Verfasser aut IDSBB 490 0- Studies in musical genesis, structure, and interpretation IDSBB 700 1- Thomas Philip 1972- (DE-588)1037876261 Verfasser aut NEBIS 100 1- Iddon Martin 1975- (DE-588)1030210764 Verfasser aut NEBIS 490 0- Studies in musical genesis, structure, and interpretation NEBIS 700 1- Thomas Philip 1972- (DE-588)1037876261 Verfasser aut IDSBB DSV51 DSV01 B400 http://www.ub.unibas.ch/tox/IDSBB/007159713/PDF pdf VIEW Inhaltsverzeichnis SWISSBIB 594438187