cam a22 4 4500 599819421 CHVBK 20201023055933.0 200828s2020 xxu b||| 101 0 eng| 2019053391 978-0-253-04700-7 hardback 0-253-04700-5 978-0-253-04701-4 paperback 0-253-04701-3 978-0-253-04703-8 ebook (IDSBB)007189083 (NEBIS)011581336 (OCoLC)1130380326 ICU/DLC ger DLC OCLCO BDX OCLCF SzZuIDS BS/BE A164 rda ML1400 .G47 2020 782.4216809/43 23 780 15 LR 53976 rvk German song onstage 1770-1914 (2016 London) (DE-588)1216661618 German song onstage Lieder performance in the Nineteenth and early Twentieth Centuries edited by Natasha Loges and Laura Tunbridge Bloomington Indiana University Press [2020] vii, 292 Seiten Notenbeispiele, Illustrationen "This collection arose after the conference German Song Onstage 1789-1914, which took place at the Royal College of Music and Wigmore Hall in February 2016." Includes bibliographical references and index "A singer in an evening dress, a grand piano. A modest-sized audience, mostly well-dressed and silver-haired, equipped with translation booklets. A program consisting entirely of songs by one or two composers. This is the way of the Lieder recital these days. While it might seem that this style of performance is a long-standing tradition, German Song Onstage demonstrates that it is not. For much of the 19th century, the songs of Beethoven, Schubert, Schumann, and Brahms were heard in the home, salon, and, no less significantly, on the concert platform alongside orchestral and choral works. A dedicated program was rare, a dedicated audience even more so. The Lied was a genre with both more private and more public associations than is commonly recalled. The contributors to this volume explore a broad range of venues, singers, and audiences in distinct places and time periods-including the United States, the United Kingdom, Russia, and Germany-from the mid-19th century through the early 20th century. These historical case studies are set alongside reflections from a selection of today's leading musicians, offering insights on current Lied practices that will inform future generations of performers, scholars, and connoisseurs. Together these case studies unsettle narrow and elitist assumptions about what it meant and still means to present German song onstage by providing a transnational picture of historical Lieder performance, and opening up discussions about the relationship between history and performance today"-- Geschichte 1789-1914 gnd Geschichte 1800-1950 gnd 1800-1999 fast Aufführung (DE-588)4143388-9 gnd Deutsch (DE-588)4113292-0 gnd Kunstlied (DE-588)4166040-7 gnd Songs, German 19th century History and criticism Songs, German 20th century History and criticism Songs, German Performances Songs, German fast Konferenzschrift London 2016 gnd-content Electronic books Aufsatzsammlung gnd-content Criticism, interpretation, etc fast u LS 7 LIED idsbb FY Loges Natasha ca. 20./21. Jh. (DE-588)1027526829 Herausgeber edt Tunbridge Laura 1974- (DE-588)143744135 Herausgeber edt BK020800 XK020000 XK020000 BK020000 XK020000 XK020000 zbzmon202007f beer idszbz Z2 IDSBB A226 A226 FH MWS IDSBB B555 B555 555U1 MU TA cf 2020/1 NELB555MU2010 IDSBB A100 A100 100FM UBH kk VI 25937 NELA1002009 IDSBB A164 A164 MAG PSS A 10664 NELA1642008 / 20200806 Dreier IDSBB 111 2- German song onstage 1770-1914 (2016 London) (DE-588)1216661618 IDSBB 700 1- Loges Natasha ca. 20./21. Jh (DE-588)1027526829 Herausgeber edt IDSBB 700 1- Tunbridge Laura 1974- (DE-588)143744135 Herausgeber edt NEBIS 700 1- Loges Natasha ca. 20./21. Jh (DE-588)1027526829 Herausgeber edt NEBIS ZAD50 https://opac.nebis.ch/objects/pdf03/z01_978-0-253-04700-7_01.pdf Titelblatt und Inhaltsverzeichnis VIEW pdf IDSBB DSV51 DSV01 A100 http://www.ub.unibas.ch/tox/HBZ/HT020420505/PDF pdf VIEW Inhaltsverzeichnis