Gender, orientalism and the Jewish nation
women in the work of Ephraim Moses Lilien at the German fin de siècle
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| 100 | 1 | |a Swarts |D Lynne M. |0 (DE-588)120592633X |e Verfasser |4 aut | |
| 240 | 1 | 0 | |a "New Hebrews", "new women"? |
| 245 | 1 | 0 | |a Gender, orientalism and the Jewish nation |b women in the work of Ephraim Moses Lilien at the German fin de siècle |c Lynne M. Swarts |
| 246 | 1 | |i Angekündigt u.d.T.: |a Gender, orientalism and the Jewish nation at the German fin de siècle |b women in the art of Ephraim Moses Lilien | |
| 264 | 1 | |a New York |b Bloomsbury Visual Arts |c 2020 | |
| 300 | |a xxxiv, 328 Seiten, 32 ungezählte Seiten Tafeln (farbig) |b Illustrationen (überwiegend schwarz-weiß) | ||
| 500 | |a Vollständiger Titel der Originaldissertation: "New Hebrews", "new women"? : gender, zionism and orientalism in the female imagery of E.M. Lilien, 1890-1914 | ||
| 502 | |g Based on |b Dissertation |c University of Sydney |d 2015 | ||
| 504 | |a Includes bibliographical references and index | ||
| 520 | |a "Ephraim Moses Lilien (1874-1925) was one of the most important Jewish artists of modern times. As a successful illustrator, photographer, painter and printer, he became the first major Zionist artist. Surprisingly there has been little in-depth scholarly research and analysis of Lilien's work available in English, making this book an important contribution to historical and art-historical scholarship. Concentrating mainly on his illustrations for journals and books, Lynne Swarts acknowledges the importance of Lilien's groundbreaking male iconography in Zionist art, but is the first to examine Lilien's complex and nuanced depiction of women, which comprised a major dimension of his work. Lilien's female images offer a compelling glimpse of an alternate, independent and often sexually liberated modern Jewish woman, a portrayal that often eluded the Zionist imagination. Using an interdisciplinary approach to integrate intellectual and cultural history with issues of gender, Jewish history and visual culture, Swarts also explores the important fin de siècle tensions between European and Oriental expressions of Jewish femininity. The work demonstrates that Lilien was not a minor figure in the European art scene, but a major figure whose work needs re-reading in light of his cosmopolitan and national artistic genius"-- | ||
| 600 | 1 | 0 | |a Lilien, Ephraim Mose |d 1874-1925 |x Criticism and interpretation |
| 600 | 1 | 7 | |a Lilien, Ephraim Mose |d 1874-1925 |0 (DE-588)118572938 |2 gnd |
| 650 | 0 | |a Art and society |z Germany |x History |y 19th century | |
| 650 | 0 | |a Art and society |z Germany |x History |y 20th century | |
| 650 | 0 | |a Femininity in art | |
| 650 | 0 | |a Orientalism in art | |
| 650 | 0 | |a Women in art | |
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