cam a22 4 4500 589480219 CHVBK 20200702052222.0 200403s2020 enk |||| 000 0 eng|d 978-1-916348-70-7 1-916348-70-X (OCoLC)1151886794 (IDSBB)007192135 ERASA ger ERASA SzZuIDS BS/BE A296 rda TR 770 AP 94200 rvk Deutsche Börse Photography Foundation Prize 2020 Mohamed Bourouissa, Anton Kusters, Mark Neville, Clare Strand Anna Dannemann London The Photographers' Gallery [2020] 128 Seiten Illustrationen 27 cm 3 Tafeln Text txt rdacontent/ger unbewegtes Bild sti rdacontent/ger ohne Hilfsmittel zu benutzen n rdamedia/ger Band nc rdacarrier/ger Mohamed Bourouissa. Comprising a survey of Bourouissa's work over the past 15 years, the exhibition includes works from Nous Sommes Halles (2003-2005 in collaboration with Anoush Kashoot), Périphérique (2005-2008), Temps Mort (2009), Shoplifters (2014-2015) and his augmented-reality piece revealing the invisible Army of the Unemployed. Anton Kusters. Questioning the act of commemoration and its potentially limited means of representing grief and suffering, Kusters proposes other ways of seeing and dealing with such history. The installation also features a 13 year-long generative audio piece by sound artist, composer and songwriter, Ruben Samama, which represents, in both sound and duration, the period between 1933 and 1945 when the camps were active, and further signifies the human loss at each of the sites. Mark Neville. Neville began taking photographs in Guingamp, Brittany ("little Britain") in 2016 and over three years, produced a complex, multi-layered portrait of this tight-knit provincial farming region. Connecting art and social documentary practices, he further photographed different agribusinesses in the community - from small holdings to large industries. The resulting photobook, now accompanied by a publication of essays by Brittany farmers articulating the need for a sustainable, humane, even ecotopian type of agriculture, was sent out to UK and European ministries of agriculture and food. Clare Strand. Strand was Inspired by George H. Eckhardt's publication Electronic Television (1936) and adopts this methodology as a way of exploring the process of transmission and reception, recreating existing photographic images into paintings via encoded messages by telephone. The project features photographs (information sources) and paintings (information destinations) also reflecting the competitive and often problematic relationship between the two media Published to accompany the Deutsche Börse Photography Foundation Prize 2020 exhibition held at The Photographers' Gallery, London, 21. Februar bis 27. September 2020 Strand, Clare 1973- (DE-588)137149042 gnd Bourouissa, Mohamed 1979- (DE-588)137391382 gnd Kusters, Anton 1975- (DE-588)1038380308 gnd Neville, Mark 1969- (DE-588)1023790513 gnd Geschichte 2020 gnd Fotografie (DE-588)4045895-7 gnd Preisträger (DE-588)4115624-9 gnd Kunstpreis (DE-588)4136702-9 gnd Ausstellungskatalog London 2020 gnd-content Bildband gnd-content Bourouissa Mohamed 1979- (DE-588)137391382 Fotograf pht Kusters Anton 1975- (DE-588)1038380308 Fotograf pht Neville Mark 1969- (DE-588)1023790513 Fotograf pht Strand Clare 1973- (DE-588)137149042 Fotograf pht Dannemann Anna 19XX- (DE-588)142925780 Herausgeber edt The Photographers' Gallery (DE-588)5135128-6 Gastgebende Institution Herausgebendes Organ his isb Deutsche Börse AG (DE-588)5081325-0 Sponsor spn BK020000 XK020000 XK020000 IDSBB A296 A296 296FE BfG K 24.2514/2020+a-c NELA2962006/ Inv.Nr.2020/T IDSBB 700 1- Bourouissa Mohamed 1979- (DE-588)137391382 Fotograf pht IDSBB 700 1- Kusters Anton 1975- (DE-588)1038380308 Fotograf pht IDSBB 700 1- Neville Mark 1969- (DE-588)1023790513 Fotograf pht IDSBB 700 1- Strand Clare 1973- (DE-588)137149042 Fotograf pht IDSBB 700 1- Dannemann Anna 19XX- (DE-588)142925780 Herausgeber edt IDSBB 710 2- The Photographers' Gallery (DE-588)5135128-6 Gastgebende Institution Herausgebendes Organ his isb IDSBB 710 2- Deutsche Börse AG (DE-588)5081325-0 Sponsor spn