Moving modernism
the urge to abstraction in painting, dance, cinema
| LEADER | cam a22 4 4500 | ||
|---|---|---|---|
| 001 | 587035250 | ||
| 003 | CHVBK | ||
| 005 | 20200828062237.0 | ||
| 008 | 190820s2020 xxu b||| 001 0 eng| | ||
| 010 | |a 2019036515 | ||
| 020 | |a 978-0-19-005727-5 |q hardback | ||
| 020 | |a 0-19-005727-0 | ||
| 020 | |a 978-0-19-005728-2 |q paperback | ||
| 020 | |a 0-19-005728-9 | ||
| 020 | |z 978-0-19-005729-9 | ||
| 020 | |z 978-0-19-005730-5 |q epub | ||
| 020 | |z 978-0-19-005731-2 | ||
| 035 | |a (OCoLC)1114273041 | ||
| 035 | |a (IDSBB)007185699 | ||
| 040 | |a DLC |b ger |c DLC |d OCLCO |d OCLCF |d YDX |d BDX |d SzZuIDS BS/BE A164 |e rda | ||
| 050 | 0 | 0 | |a NX456.5.A2 |b A53 2020 |
| 082 | 0 | 0 | |a 709.04/052 |2 23 |
| 082 | 1 | |a 700 |2 15 | |
| 100 | 1 | |a Andrew |D Nell |d ca. 20./21. Jh. |0 (DE-588)1209968959 |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a Moving modernism |b the urge to abstraction in painting, dance, cinema |c Nell Andrew |
| 264 | 1 | |a New York |b Oxford University Press |c [2020] | |
| 300 | |a xxx, 220 Seiten |b Illustrationen | ||
| 336 | |a Text |b txt |2 rdacontent/ger | ||
| 337 | |a ohne Hilfsmittel zu benutzen |b n |2 rdamedia/ger | ||
| 338 | |a Band |b nc |2 rdacarrier/ger | ||
| 490 | 0 | |a Oxford studies in dance theory | |
| 504 | |a Includes bibliographical references and index | ||
| 520 | |a "Moving Modernism reenacts the simultaneous eruption of three spectacular revolutions, the development of pictorial abstraction, the first modern dance, and the birth of cinema, which together changed the artistic landscape of early-twentieth-century Europe and the future of modern art. Rather than a book about dancing pictures or about pictures of dancing, however, this study follows the chronology of the historical avant-garde to show how dance and pictures were engaged in a kindred exploration of the limits of art and perception that required the process of abstraction.^ | ||
| 648 | 7 | |a Geschichte 1894-1930 |2 gnd | |
| 650 | 7 | |a Abstraktion |0 (DE-588)4141162-6 |2 gnd | |
| 650 | 7 | |a Film |0 (DE-588)4017102-4 |2 gnd | |
| 650 | 7 | |a Künste |0 (DE-588)4033422-3 |2 gnd | |
| 650 | 7 | |a Modern Dance |0 (DE-588)4074920-4 |2 gnd | |
| 650 | 0 | |a Art, Abstract | |
| 650 | 0 | |a Art and dance | |
| 650 | 7 | |a Art, Abstract |2 fast | |
| 650 | 7 | |a Art and dance |2 fast | |
| 650 | 0 | |a Abstract films | |
| 691 | 7 | |B u |u LS 24 |2 idsbb FY | |
| 691 | 7 | |B u |u LS 22 |2 idsbb FY | |
| 898 | |a BK020000 |b XK020000 |c XK020000 | ||
| 949 | |B IDSBB |F A164 |b A164 |c MAG |j PSS A 10658 |x NELA1642008 / 20200806 Dreier | ||
| 949 | |B IDSBB |F B400 |b B400 |c 400M |j BeM | ||
| 950 | |B IDSBB |P 100 |E 1- |a Andrew |D Nell |d ca. 20./21. Jh |0 (DE-588)1209968959 |e Verfasser |4 aut | ||
| 950 | |B IDSBB |P 490 |E 0- |a Oxford studies in dance theory | ||
| 986 | |a SWISSBIB |b 587035250 | ||