cam a22 4 4500 583957250 CHVBK 20201216090452.0 200413t20202020xxu b||| 000 0 eng| 2019020718 978-0-19-006847-9 hardback 978-0-19-006850-9 online 978-0-19-006848-6 updf 978-0-19-006849-3 epub (IDSBB)007159580 (VAUD)991021308292702852 (NEBIS)011521722 (RERO)R009055450 (EXLNZ-41BCULAUSA_NETWORK)991023639628002851 (OCoLC)1104214104 DLC ger SzZuIDS NEBIS ZBZ SzZuIDS BS/BE B420 rda ML3800 .B75 2020 s1mu rero 780 15 781.1/7 23 LP 63175 rvk Bonds Mark Evan 1954- (DE-588)131657917 Verfasser aut The Beethoven syndrome hearing music as autobiography Mark Evan Bonds New York, NY Oxford University Press [2020] © 2020 xii, 325 Seiten 4 Illustrationen Includes bibliographical references Introduction : The instrumental self -- Part one : The paradigm of objective expression : 1770-1830. The framework of rhetoric ; Toward the perception of subjective expression ; Hearing composers in their work -- Part two : The paradigm of subjective expression : 1830-1920. The framework of hermeneutics ; First-person Beethoven ; After Beethoven -- Part three : Dul paradigms : since 1920. The return of objectivity ; The endurance of subjectivity -- Conclusion : Tracking comets. "The 'Beethoven syndrome' is the inclination of listeners to hear music as the projection of a composer's inner self. This was a radically new way of listening that emerged after Beethoven's death. Beethoven's music was a catalyst for this change, but only in retrospect, for it was not until after his death that listeners began to hear composers--and not just Beethoven--in their works, particularly in their instrumental music. The Beethoven syndrome: hearing music as autobiography traces the rise, fall, and persistence of this mode of listening from the middle of the eighteenth century to the present. Prior to 1830, composers and audiences alike operated within a framework of rhetoric in which the burden of intelligibility lay squarely on the composer, whose task it was to move listeners in a calculated way. But through a confluence of musical, philosophical, social, and economic changes, the paradigm of expressive objectivity gave way to one of subjectivity in the years around 1830. The framework of rhetoric thus yielded to a framework of hermeneutics: concert-goers no longer perceived composers as orators but as oracles to be deciphered. In the wake of World War I, however, the aesthetics of 'new objectivity' marked a return not only to certain stylistic features of eighteenth-century music but also to the earlier concept of expression itself. Objectivity would become the cornerstone of the high modernist aesthetic that dominated the century's middle decades. Masterfully citing a broad array of source material from composers, critics, theorists, and philosophers, Mark Evan Bonds's engaging study reveals how perceptions of subjective expression have endured, leading to the present era of mixed and often conflicting paradigms of listening"--Dust jacket flap. Beethoven, Ludwig van 1770-1827 Appreciation History. Beethoven, Ludwig van 1770-1827 fast Beethoven, Ludwig van Musique Interprétation ram Beethoven, Ludwig van 1770-1827 (DE-588)118508288 gnd Beethoven, Ludwig van (IDREF)026714329 idref Geschichte 1830-2020 gnd Komponist (DE-588)4032009-1 gnd Musikerlebnis (DE-588)4170819-2 gnd Expression (Philosophy) History Art appreciation fast Expression (Philosophy) fast Music Philosophy and aesthetics fast Music Philosophy and aesthetics History Rezeption (DE-588)4049716-1 gnd Musikwahrnehmung (DE-588)4126097-1 gnd Musik (DE-588)4040802-4 gnd Musique (RERO)A021103163 rero Autobiographie (RERO)A021099891 rero Expression (philosophie) (RERO)A021009779 rero Esthétique (RERO)A021102357 rero Appréciation (RERO)A021017306 rero 18e siècle (milieu)-21e siècle (début) (RERO)A022979240 rero History fast BK020000 XK020000 XK020000 Stoppsignal FRED nebis DS zbzmon202004f marq idszbz Z2 IDSBB B420 B420 420FN BEMU MK 1200 Beeth : 46 BEMU M 4393 BEMU/2020/Mono / NELB4202001 IDSBB A100 A100 100FM UBH kk VI 25804 NELA1002004 IDSBB B400 B400 400H5 BeM RGA 7784 NELB4002006 IDSBB 100 1- Bonds Mark Evan 1954- (DE-588)131657917 Verfasser aut VAUD 100 1- Bonds Mark Evan aut NEBIS 100 1- Bonds Mark Evan 1954- (DE-588)131657917 Verfasser aut RERO 100 1- Bonds Mark Evan (RERO)A013055789 aut NEBIS ZAD50 https://opac.nebis.ch/objects/pdf03/z01_978-0-19-006847-9_01.pdf Titelblatt und Inhaltsverzeichnis VIEW pdf IDSBB DSV51 DSV01 A100 http://www.ub.unibas.ch/tox/IDSBB/007159580/PDF pdf VIEW Inhaltsverzeichnis SWISSBIB 583957250