Biennale de l'image en mouvement 2018
the sound of screens imploding
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| 245 | 1 | 0 | |a Biennale de l'image en mouvement 2018 |b the sound of screens imploding |c edited by Andrea Bellini & Andrea Lissoni |
| 246 | 1 | 0 | |a The sound of screens imploding |
| 264 | 1 | |a Mantova (Italy) |b Corraini edizioni |c [2019] | |
| 264 | 4 | |c © 2019 | |
| 300 | |a 174 Seiten |b farbig |c 30 cm | ||
| 500 | |a "On the occasion of the Biennale de l'image en mouvement, the sound of screens imploding, Centre d'art contemporain Genève, 08.11.2018-03.02.2019, OGR - Officine Grandi Riparazioni Torino/Turin, 21.06--29.09.2019" - Imprint | ||
| 520 | |a This volume is the catalogue of the 16th edition of the Biennale de l'Image en Mouvement (BIM), founded in 1985 in Geneva and reinvented in 2014 as a platform for producing new works. A unique hybrid event— at the crossroads of a film festival, a plethora of solo exhibitions, performances and a platform for research and production—the BIM brings together visual artists, performers, musicians and filmmakers. The latter engage in a dialogue with the curators throughout the production process of a new work, financed or co-financed by the Centre and premiering in Geneva. The Biennale has therefore become a full-fledged production platform, with each edition presenting only new works. | ||
| 546 | |a Englischer Text mit Vorwort in Englisch, Französisch und Italienisch | ||
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