American mobilities
geographies of class, race, and gender in US culture
Gespeichert in:
Verfasser / Beitragende:
Julia Leyda
Ort, Verlag, Jahr:
Bielefeld :
transcript-Verlag,
2016
Beschreibung:
1 Online-Ressource
Format:
Buch (Hochschulschrift) (online)
Online Zugang:
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| 504 | |a Includes bibliographical references at the end of each chapters. | ||
| 505 | 0 | 0 | |t Frontmatter -- |t Contents -- |t Acknowledgments -- |t Foreword -- |t Introduction: American Mobilities -- |t 1. Reading White Trash -- |t 2. Incorporation and Embodiment -- |t 3. Who's Got the Car Keys? -- |t 4. Black-Audience Westerns -- |t 5. Space, Class, City -- |t 6. Home on the Range |
| 506 | |a Free full text available for some or all content. Article availability is subject to change without notice, according to publisher decision. Die Verfügbarkeit der Online-Ressourcen ist Entscheidung des Verlags oder des Urhebers und kann ohne vorherige Ankündigung geändert werden. | ||
| 520 | |a American Mobilities investigates representations of mobility - social, economic, geographic - in American film and literature during the Depression, WWII, and the early Cold War. With an emphasis on the dual meaning of "domestic," referring to both the family home and the nation, this study traces the important trope of mobility that runs through the "American" century. Juxtaposing canonical fiction with popular, and low-budget independent films with Classical Hollywood, Leyda brings the analytic tools of American cultural and literary studies to bear on an eclectic array of primary texts as she builds a case for the significance of mobility in the study of the United States. | ||
| 588 | |a Description based on online resource; title from PDF title page (ebrary, viewed June 11, 2016). | ||
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