Günther Förg : a fragile beauty
| LEADER | cam a22 4 4500 | ||
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| 005 | 20190509063405.0 | ||
| 008 | 180126s2018 xxu |||| 000 0 eng|d | ||
| 020 | |a 978-0-300-22922-6 | ||
| 020 | |a 0-300-22922-4 | ||
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| 100 | 1 | |a Förg |D Günther |d 1952-2013 |0 (DE-588)118692011 |e Künstler |4 art | |
| 245 | 1 | 0 | |a Günther Förg : a fragile beauty |c with contributions by Kirsty Bell, Gavin Delahunty, Lisa Le Feuvre, Liam Gillick, Megan R. Luke, Lauren Richman, Beatrix Ruf, Jeffrey Saletnik, Matthew S. Witkovsky ; with editorial assistance from Michael Neff, office of Michael Neff, Frankfurt Main, and Chelsea Pierce, Dallas Museum of Art ; edited by Martin Fox |
| 264 | 1 | |a New Haven |b Yale University Press |c [2018] |a London | |
| 300 | |a 245 Seiten |b Illustrationen | ||
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| 500 | |a Katalog zur gleichnamigen Wander-Ausstellung im Stedelijk Museum Amsterdam, Amsterdam, 26.05. - 14.10.2018 ; Dallas Museum of Art, Dallas, 21.10.2018 - 27.01.2019 | ||
| 520 | 8 | |a Gunther Foerg (1952-2013) was a German painter, sculptor, and photographer with an irreverent approach to abstraction. Foerg's project tackled the latent instability between image and reality. His painterly surfaces may appear exquisitely sensitive, his installations elegantly precise, but these are mastered and executed with a cold detachment. His deft manipulations of the languages of abstraction obscured a darker message. This publication, the most comprehensive to date, offers an important new understanding of this extraordinary and complex artist. Three years in the making, it reinterprets Foerg's oeuvre to reveal an artistic project that raises important questions about the traditional role of an object as a conveyor of fixed meaning. The book's subtitle-"A Fragile Beauty"-is an indication of how Foerg successfully manipulated what is behind and beyond an object's appearance. | |
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