The enjoyment of photography
Josephine Pryde
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| 245 | 0 | 4 | |a The enjoyment of photography |b Josephine Pryde |c [ed. by André Rottmann with contrib. by Melanie Gilligan and Rhea Anastas] |
| 246 | 1 | 8 | |a Pryde: The enjoyment of photography |
| 246 | 1 | 3 | |a Josephine Pryde |
| 264 | 1 | |a Bern |b Kunsthalle Bern |a Zürich |b JRP Ringier |c 2015 | |
| 300 | |a 275 S. |b Ill. |c 28 cm | ||
| 500 | |a This publication appears subsequent to the exhibitions "Miss Austen Enjoys Photography", ... at Kunstverein für die Rheinlande und Westfalen, Düsseldorf, 4 February - 9 April 2012, and "Miss Austen Still Enjoys Photography", ... at Kunsthalle Bern, 9 June - 12 August 2012 | ||
| 504 | |a bibliographie p. 272-273 | ||
| 520 | |a In photographic works that encompass the full range of the medium's historical and current genres, styles, and techniques, but also through sculpture and writing, the Berlin- and London-based artist Josephine Pryde (born 1967 in Alnwick, Northumberland, UK) offers incisive, often ironic, and provocative commentary on the values, hierarchies, and economies subtending the field of contemporary art against the backdrop of larger societal shifts. Estranging the familiar or conversely expressing the common in a radically unforeseen manner, Pryde's ingenuous choice of subject matter, unusual formal solutions and surprising juxtapositions continue to capture international exhibition audiences | ||
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